
Print size
120.5×161
5 colours
Print size
72×105
6 colours + coater unit
(UV, LED and traditional print)
Print size
72×102
6 colours
Print Size
72×102
10 colours
(perfecting 5+5)
16 pages
cylinder lenght 620 mm
5+5 colours
+ coater unit
+ glue unit
folded and/or flat sheet exit
32 pages
cylinder lenght 1200 mm – 35/90 g maximum web with 914 mm
Production
32/64/96/128 pages magazine
16/32/48/64 pages tabloid
64 pages
cylinder lenght 1200 mm – 35/90 g
maximum web width 1920 mm
Produzioni
32 headset tabloid colour pages
or 64 magazine
32 pages
cylinder lenght 1200 mm – 35/90 g
maximum web width 914 mm
Productions
32/64/96/128 pages magazine
16/32/48/64 pages tabloid
32 pages
cylinder lenght 1200 mm – 35/90 g
maximum web width 914 mm
Productions
32/64 pages magazine
16/32 pages tabloid
32 pages
cylinder lenght 1200 mm – 35/90 g
maximum web width 914 mm
Productions
up to 96 pages tabloid for:
GDO
newspaper
freepress

Print size 530 x 750 mm
5 e 7 colours front and back simultaneous work
paper matte and glossy coated, adhesive and pvc from 450 up to 600 micron
print size 364 X 660 mm
front and back simultaneous work
80 to 350 g paper matte and glossy, coated, adhesive and pvc up to 350 micron
Print size 330 x 1300 mm
4 colours front and back simultaneous work
52 to 350 g paper matte and glossy coated, adhesive and pvc up to 350 micron
with finishing stations max print size 320 X 480 mm
1 colour (photography quality) front and back simultaneously
80 a 220 g matte and clossy coated paper

Muller Martini
large size trimming
medium size trimming
small, medium and large size
24 + 12 signature
Muller Martin
with 6 o 8 stations

_Validation and remote control of digital blueprints with Insite the latest generation software
_Resolution control of images and fonts, transparencies, trims and format
_Optimization and conversion of files for printing based on Fogra regulations for different types of paper and different types of printing (UV, LED, oxidative and non-oxidative inks)
_ Optimization of total ink coverage (TAC): better print contrast and reduction of post-print problems (anti-scratch, ghost effects, perfect sheet drying)
_Postproduction of digital photos, corrections, retouching and colorimetry
_Control through high-tech instrumentation in circulation with reading through in-line spectrophotometric cameras
_Use of inks, dampening solutions, blankets absolutely tested for the best print contrast performance
Computer to Plate with inline register optical punching machines
Digital printers for contractual proofing in Fogra Iso 12647 standard
Kodak Prinergy Workflow stations
Photo editing stations, digital post production